Archive for Lee Pfeiffer


Posted in Events, Timothy Dalton with tags , , , , , on November 30, 2007 by Deborah Lipp

Here’s another story from the Hofstra event. This comes from the live, in-person interview with Robert Davi, who played the drug lord Sanchez in Licence to Kill.

Davi was funny. When asked for stories about the filming of LTK, he said, “Look, it was Mexico City, me, Timothy [Dalton], and Benicio [del Toro] going out every night. Tequila was involved. I could tell tales.”

Davi, Dalton, and del Toro are all Method actors, and they bonded (no pun intended) over the acting. At one point, Davi was asked (by Lee Pfeiffer, who conducted the interview), how it was being directed by John Glen. He said they were given a lot of leeway to explore the roles. For example, he said, the way that del Toro said “Honeymoooon.”

“That was an unusual line reading,” he said, “And Benicio got a lot of support to explore that.”

Now, when Benicio del Toro says “We gave her a nice honeymoooon” in LTK, it’s creepy and disturbing and odd. And it sticks in my head. Everyone’s head, I guess, because the audience totally recognized what he was talking about. But what’s interesting to me is the actor’s process. That everyone on-set was aware of how weird that line reading was, and how daring, and paid attention to it (Sanchez wasn’t even in the scene).


Event Report: Bond Symposium at Hofstra University

Posted in Events with tags , , , , , , , , , , on November 9, 2007 by Deborah Lipp

Did you know Robert Davi is an almnus of Hofstra? So is Christopher Walken! Only one of these illustrious Bond villains appeared at the Bond Symposium I attended yesterday.

Hempstead, Long Island is less than an hour and a half from home, and I was within two miles of the place when I got lost. Really hopelessly lost. Lost like, 45 minutes late. And I wasn’t the only one either. Another attendee took a cab from about the spot that I got lost to the conference two miles away, and it took 25 minutes. Long Island is some kind of black hole.

Anyway, I only attended four of the many wonderful symposium events.

First, Lee Pfeiffer interviewed Robert Davi. It was a sit-down on a theater stage, very much a chat with microphones, and very informative. Davi pointed out that he, Benicio del Toro, and Timothy Dalton were in Mexico City during the making of Licence to Kill with nothing to do with their evenings that didn’t involve tequilla, but he refrained from telling the juicier stories. He talked about how important it was to find sympathy in his character, and you can tell, as he speaks, that he still sympathizes with Sanchez. ‘None of the killings were my fault,’ he says, ‘My character was provoked every time.’ And again, ‘He could have whipped Lupe sadistically, as a fetish, but I did it in a ‘hurts me more than it hurts you’ way, as if I was sad to do it.’ He also explained the casting of Talisa Soto: “It wasn’t about the acting,” he said, “Which was what it was. It was about choosing the girl that Sanchez would risk his life to get back.” And Davi and Cubby Broccoli agreed that only Soto could be that to Sanchez.

The next event was the panel, “Writing Bond.” Participating were

I definitely had the “little ol’ me” feeling, being with such illustrious co-panelists, and I had a blast! We discussed a lot of different things, from what was hard and easy and confusing about writing Bond, to the advantages and disadvantages of being authorized (Pfeiffer and Benson) or unauthorized (the rest of us). Benson talked about the unique task of creating Bond fiction, and Pfeiffer shared his unusual relationship with the late Cubby Broccoli. I think the panel was fun, informative, and diverse. I know, I was on it so I’m biased, but I learned a lot and enjoyed myself, and I hope I also contributed.

Next up, Lee Pfeiffer interviewed the amazing Tom Mankiewicz via videophone conference. Way high-tech, and what a great interview it was! Mankiewicz is a real raconteur, and he could have filled the whole time with just one question, because he had so many wonderful stories to tell. From confronting racism in a Louisiana parish during the making of Live and Let Die, to secretly polishing Christopher Wood’s script for The Spy Who Loved Me (and getting totally caught by Roger Moore) to meeting John Wayne on his very first job, everything he recounted was fun, funny, and fascinating.

After that was a dinner banquet. Again, so much fun. So many wonderful people to meet, so many interesting stories to here. Pfeiffer and Benson did a presentation during dessert of “Myths of Bond” (like, no one ever died of being painted gold), and then Benson did a wonderful piano medley of James Bond music.

And, big surprise! Representatives of Aston Martin of Long Island were there with a car, a beautiful silver coupe (lower right picture in the link). Not only did I get photographed sitting in it (ohmigodz ohmigodz), I sent the gentlemen home with a copy of my book, so I photographed it sitting in the trunk. Photos to follow.

I was sorry to have to leave.